People of Theatre

The play, written by Clint Dyer and Roy Williams, is an explosive monologue that delves into the life of Delroy, a Black working-class British man who finds himself caught between the expectations of British society and his own identity. The storyline takes place following Delroy after he's wrongfully detained by the police—a pivotal moment that sends him spiraling into a journey of self-reflection and rage.

What struck me immediately was the play's raw exploration of themes like systemic racism, identity, and the complexities of belonging in modern Britain. Delroy’s story is both deeply personal and universally resonant, making it impossible not to reflect on the broader social issues it touches on. The writing is sharp, unflinching, and laced with a kind of brutal honesty that forces the audience to confront uncomfortable truths

As a European now based in London, I was particularly captured by the reflection on how white Europeans with no ties to British society might be seen as having more belonging in this country than Black individuals who were born here and whose heritage is deeply connected to British society and culture.

Paapa Essiedu’s performance as Delroy was simply extraordinary. I was totally charmed by his charismatic and dynamic stage presence. His ability to deliver such a complex, emotionally charged monologue while maintaining a connection with the audience was mesmerizing. What made his performance even more special was his talent for customizing lines on the spot, responding to the audience in real time with a wit and immediacy that showcased his incredible stage charisma. It’s been a long time since I’ve seen an actor in London who can so effortlessly blend technical skill with such vibrant, spontaneous energy.

The set design was dominated by the image of the cross of St. George, looming large over the stage. This visual choice was profoundly impactful, giving me a visceral sense of discomfort. The cross felt less like a symbol of national pride and more like an oppressive force, bearing down on the space with an almost suffocating presence, metaphorically crushing personal freedoms and identities beneath its rigid lines.

Giuliano x